The work of Philadelphia muralist César Viveros has infiltrated all corners of Philadelphia since he migrated to the city from his native Veracruz, Mexico, twenty years ago, writes Némesis Mora for Billy Penn at WHYY.

He has created over 40 works with Mural Arts, along with many fresco paintings, sculptures, mosaics, and altars.

He’s also behind performances of Aztec dance and is known for his efforts to restore the Cesar Andreú Iglesias Community Garden in Kensington, which was previously abandoned.

Viveros recently received a grant from the Pew Center for Arts & Heritage.

His work has already been featured in Penn’s Museum of Archaeology and Anthropology, Philadelphia Museum of Art, and Fleisher Art Memorial, as well as the Kimmel Center.

However, he is quick to point out that none of it would have been possible if not for his childhood and heritage.

He first learned how to use clay and turn it into art from his grandmother in Mexico. He made his first ceramic works when he was only five.

Uncover the vibrant tapestry of César Viveros’ artistic journey and his indelible mark on Philadelphia in Billy Penn at WHYY.

Cesar Viveros: My Life, My Voice: Occupying Spaces